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Cultural India |
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 From the immemorial, India has been considered to be a land with rich cultural heritage. Century after centuries, this country has seen rulers like Rajput’s, Mughals, English, Portuguese. Besides various religious also flourished at different times in this country like Buddhism, Jainism, Sikhism. Etc. All these factors have played their role in making an impact on the culture of this country. One can find traces of different cultures in the music, dance, architecture, festivities languages spoken, traditional beliefs and customs, food and many more like these. It is the development of this aspect of life that makes the heritage of India most vibrant and incredible.
Music Classical music of India has its root in the belief of the people and amalgamation with our system has not erased this source. Careful intonation has always been at the core of Indian classical music. The chanting of sacred words and phrases like Om require total precision because these chants are part of what it takes to maintain order in the universe.
Dances India offers a number of classical dance forms, each of which can be traced to different parts of the country and representing the culture of a certain region or a group or a group of people. The beginning of the contemporary styles of classical dances can be traced to the period 1300 -1400 AD. The dance forms range from temple dances like Bharatnatyam, Oddissi, Mohiniyattam, to Kathakali, symbolizing the victory of truth over false hood. Kathak and kuchipudi are mean to recite religious and mythological tales to the accompaniment of music, mime and dance. Manipuri and Dandiya Raas represent the celebration of Radha- Krishna’s togetherness.
Art & Craft The talent of the Indian artisans is till date visible in the age-old monuments/ Constructions. The sculptures boast of their creativity and hard work. The numerous sculptures on temple walls are all hewn out of hard rock & last to date. Rock cut architecture was perfected by the Buddhists, and was followed by several Hindu rulers. In Southern India Pallavas excelled in this art form. The sculptures or idols in temples are made of bronze & panchaloha. Apart from these, there are the huge lyyanar statues & horses exist in South Indian villages
Significance of Namaskar, Tilak, Bindi, Mangalsutra
NamaskarNamaskar or Namaste is the most popular form of greeting in India. Folding the hands politely is a general salutation for welcoming someone or bidding farewell. While doing this, both the palms are placed together and raised to below the face. It is believed that both the hands symbolise one mind or the self meeting the self.
Tilak Tilak is the the ritual mark on the forehead. It can be put in many forms as a sign of blessing, greeting or auspicious. This is usually made out of a red vermilion paste (kumkum) which is a mixture of turmeric, alum, iodine, camphor, etc. It can also be made of sandalwood paste (chandan) blended with musk. It is applied on the spot between the brows which is considered the seat of latent wisdom and mental concentration and is very important for worship. This also indicates the point at which the (third) spiritual eye opens. All thoughts and actions are supposed to be governed by this spot. Putting of the third eye symbolises the quest for the `opening' of the third eye. All rites and ceremonies of the Hindus begin with a tilak topped wit a few grains of rice placed with the index finger or the thumb.
Aarti It is performed as an act of veneration and love. It is often performed as a mark of worship and to seek blessings from God, to welcome the guests, for children on their birthdays, family members on auspicious occasions or to welcome a newly wed couple.
For performing Arati, five small lamps called niranjans are filled with ghee or oil, and arranged in a small metal tray. A wick is made out of cotton wool and placed in the lamps. A conch-shell filled with water, auspicious leaves or flowers, incense or lighted camphor are also placed in the tray. The lamps are lit and the tray is rotated in a circular motion in front of the deity of the person to be welcomed. The purpose is to ward off evil effects and malefic influence of the `evil eye'!
Garlanding Flower garlands are generally offered as a mark of respect and honour. They are offered to welcome the visitors or in honour to the Gods and Goddesses. These are generally made with white jasmine and orange marigold flowers. They are woven in thread and tied at the end with the help of a knot.
Bindi A bindi is an auspicious mark worn by young girls and women. It is derived from Bindu a sanskrit word for dot. It is usually a red dot made with vermillion powder which is worn by women between their eyebrows on the forehead.
Considered a symbol of Goddess Parvati, it signifies female energy and is believed to protect women and their husbands. Traditionally a symbol of marriage, it has also become decorative and is worn today by girls and women as well. No longer it is restricted in colour and shape, bindis are seen in many bright colour and different shapes and designs embellished with coloured glass or glitter.
Mangalsutra This is a necklace made of black beads and a golden pendant, worn ONLY by the married women as a mark of being married. It is the Indian equivalent of the western wedding ring. The mangalsutra is tied by her groom around her neck. These are supposed to protect against evil and the life of their husband |
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